TV Ratings: Fox's World Series Game 6 Dominates Thursday

Ezra Shaw/Getty ImagesGame 6 of the World Series Fox's coverage of what turned out to not be the deciding game of the World Series dominated in the ratings in the later innings as the St. Louis Cardinals forced a Game 7 against the Texas Rangers, scheduled for tonight. PHOTOS: Fall TV Death Pool: Which New Show Will Be Axed? According to preliminary numbers, from 8-11 p.m., the network averaged a healthy 5.8 rating in the advertiser-coveted adults 18-49 demographic and 19.7 million total viewers. When finals come in later in the day, Fox is likely to hold on to its nightly victory in 18-49 and total viewers. The only broadcast program topping the game at 8 p.m. looks to be CBS' own juggernaut: The Big Bang Theory. CBS placed a distant second on the night with a 3.0 average, with most of its programming dipping going up against baseball. Though The Big Bang Theory (14.3 million, 4.5) outrated the World Series in its time slot, it was still down 12 percent in the demo. Rules of Engagement (10.8 million, 3.4) dipped 6 percent and Person of Interest (11.5 million, 2.6) saw a 4 percent dip. The Mentalist (12.2 million, 2.5) managed to stay steady. PHOTOS: 10 Shows Canceled Faster Than 'The Playboy Club' NBC saw a similiar downturn, with its Halloween specials plunging double digits for series lows. Community (3.5 million, 1.4), down a hefty 18 percent from its last original telecast two weeks ago, and Parks and Recreation (3.9 million, 1.8), sinking 14 percent, both matched franchise lows. Meanwhile The Office (5.5 million, 2.8) hit its lowest Thursday telecast to date, dropping 15 percent. Surprisingly, it was rookie comedy Whitney (4.3 million, 2.1) that rebounded. Prime Suspect (4.1 million, 1.2) continued to rate lower. Unlike CBS and NBC, ABC saw growth across the board. A presentation of It's the Great Pumpkin, Charlie Brown (7.4 million, 2.3) -- in place of the recently axed Charlie's Angels -- performed better than what the net's reboot normally posted in the 8 p.m. time period for the demo. And for Charlie Brown, this year's telecast performed 5 percent better than last year's. Grey's Anatomy (9.8 million, 3.7) and Private Practice (6.6 million, 2.4) both saw slight improvements, going up 3 and 4 percent, respectively. Sports couldn't deter the younger crowd from turning away from the CW's The Vampire Diaries (3.2 million, 1.4). Last night's episode was the drama's most-watched of the season and what's more promising, the series retained its 18-49 performance from last week. Notably (though they belong in two different time slots), Diaries beat Prime Suspect in the demo (1.4 vs. 1.2). The Secret Circle (2.3 million, 1.0) improved in viewership and in 18-49. Refresh for the latest ... TV Ratings

Has Eddie Murphy Squashed His Grudge With 'SNL'?

It seems as if Eddie Murphy is becoming around the nearly three-decade grudge against NBC's Saturday Evening Live.our editor recommendsEddie Murphy in 'Beverly Slopes Cop 4': Director Isn't Giving UpFEINBERG & Pals, Air. 4: Scott & Gold Derby's Tom O'Neil round the Honours Race (Audio)Ben Stiller Unveils 'Zoolander' Follow-up Secrets Way ahead for the Fockers and What He Considers 'Tower Heist' Co-Star Eddie Murphy as Oscar Host Murphy will be a cast member round the NBC sketch show from 1980 to 1984. Ever since then, he's made themselves scarce if the requires the show's retrospective special deals and hosting gigs. The actor is becoming talking about this in the new interview with Moving Stone magazine. "They were s---ty in my opinion on Saturday Evening Live a couple of occasions after i'd left the show," he notifies playboy. "They mentioned some s---ty things." Murphy points with a David Spade sketch in he was referred to as a "falling star" at concerning the time his 1995 movie, Vampire in Brooklyn, was released. "What really annoyed me relating to this in those days was it might be work shot," he adds. It doesn't look like we'll be seeing him hosting SNL soon, nevertheless the actor states he isn't possessing the anger any more. "I felt s---ty relating to this for any very long time, however, I don't have none of the.In . Murphy also unveils inside the Moving Stone interview he thinks Beverly Slopes Cop 4 is dead in water(but announces he want to carry out a TV series spinning in the franchise), why he desires to take his movie career inside an edgier and more personal and much more personal direction, his possible return to operate, and why he made a decision to host the Oscars next season. The issue hits stands on Friday. Related Subjects David Spade Eddie Murphy Saturday Evening Live

Source: Lindsay Lohan To Appear In Playboy

First Published: October 24, 2011 11:15 PM EDT Credit: Getty Premium LOS ANGELES, Calif. -- Caption Lindsay Lohan is spotted at the Givenchy aftershow party at LArc in Paris on October 2, 2011 Lindsay Lohan has lined up a new gig as a Playboy girl. LiLo is posing for Hugh Hefners Playboy magazine, a source told Access Hollywood. The source told Access Lohan is disrobing for the spread, which is being shot this week in LA. In the meantime, Lohans other gig is community service. The actress has been ordered to spend 16 hours of community service at the Los Angeles Coroners Office before her next hearing on Nov. 2, where shell face the music after a judge ruled she violated her probation. She already performed one shift at the Coroners Office last Friday. Copyright 2011 by NBC Universal, Inc. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

'Can We Simply Lynch Him?': Sean Penn Unloads around the Tea Party

It had been approximately 12 hrs ago when Moviefone said how many people will not see Sean Penn movies due to the actor's liberal politics, and it is doubtful this little bit of rhetoric will not engender individuals individuals to buy tickets later on. Showing up with Piers Morgan on Friday evening, Penn known as the Tea Party the "'Get the N-word from the Whitened House part'" and stated people wish to "lynch" Obama. "I do not think there's question about this: Should you request any associated with the Tea Party, 'OK, Social Security, socialist, eliminate it?'' they are getting very confused," Penn stated. "In the finish during the day, there is a large bubble being released of the heads, saying, 'Can we simply lynch him?'" Penn may be the second major star to party the Tea Party with Morgan recently, Morgan Freeman known as the Tea Party "racist" and asked their motivations. "'We're likely to whatever we all do to obtain this black guy out of here,'" Freeman stated. Like Mark Ruffalo, Penn will also support the Occupy Wall Street movement. Watch his comments around the protestors below and mind to CNN for any transcript of his interview with Morgan. [Photo: bauergriffinonline.com] Follow Moviefone on Twitter Like Moviefone on Facebook RELATED

'The Woman in Black' Trailer: Daniel Radcliffe Freaks Out

<a href='http://video.uk.msn.com/?mkt=en-gb&from=null&vid=46fcf972-d1fc-4739-91c9-e5830a3a5ca9&src=FLPl:embed::uuids' target='_new' title='MSN World Exclusive: Woman In Black - UK trailer' >Video: MSN World Exclusive: Woman In Black - UK trailer</a> .post-content img {display:none;} There wouldn't be nearly as much fanfare surrounding 'The Woman in Black' if it wasn't Daniel Radcliffe's first post-'Harry Potter' film. On paper, the movie sounds like your standard horror flick: a young lawyer travels to a small town and discovers a ghost freaking out the locals. However, when the short but terrifying teaser premiered back in August, many surprised by -- well, how good the film looked. Does the first full trailer for the movie keep that good will going? Yep! While it's hard to judge an entire film by a two-minute clip, 'The Woman in Black' trailer points to a project that should be quite entertaining. Your friendly Moviefone editors are rooting for Daniel to come out on top with this one. After all, we wouldn't want Potter fans on Quiddich brooms chasing us around the rest of our lives, either. [via MSN] Follow Moviefone on Twitter Like Moviefone on Facebook

Kim Kardashian Considering Bollywood Roles (Video)

Could reality star Kim Kardashian soon add Bollywood actress to her credits?our editor recommends Kim Kardashians Debut Music Video Teaser Leaks on Web (Video)'Kathy Griffin: Pants Off': A Special Message for Kim Kardashian (Exclusive Video) Yes, according to Sheeraz Hasan, who is currently traveling in Dubai with Kardashian and her mother, Kris Jenner, for the opening of his retail outlet Millions of Milkshakes there. PHOTOS: Inside Kardashian Inc. "I asked Kim if she would ever be interested to star in a Bollywood movie and she hasn't said no," Hasan told Emeriates 24/7, as Kardashian nodded in agreement. "So I gathered a collection of all of Shah Rukh Khan's best films and have handed over the DVDs to Kim." "She will hopefully watch them over this weekend and if all goes well, then we can get Kim and Shah Rukh to work together," added Hasan, who plans to set up a conference call next week between the the three of them. PHOTOS: Kathy Griffin's 10 Naughty Emmy Speeches for Charlie Sheen, Kim Kardashian, Oprah and More Kardashian wouldn't be the first Hollywood star to cross over. Denise Richards and Sylester Stallone appeared in Kambhakt Ishq, while Heroes' Ali Larter starred in Marigold several years ago. While visiting Mumbai, Kardashian's former best friend Paris Hilton told The Hollywood Reporter she'd consider Bollywood films as well: "I have been approached earlier to do Bollywood films and if I get a good script, who knows I may just do a film; Bollywood films are so colorful." Related Topics Kim Kardashian International

Legendary Costume Designer Ray Aghayan, Longtime Partner of Bob Mackie, Dies at 83

Ray Aghayan, a couple-time Oscar nominee who won the initial Emmy Award for costume design, fitted the glamorous Judy Garland, Barbra Streisand and Diana Ross and did the costumes for your rasing and lowering occasions in the 1984 Summer season Olympics, died Tuesday in La. He was 83.Related Subjects•Obituaries Aghayan, the longtime partner of Bob Mackie, who started as his assistant, died of "unknown causes," the Archive of yank Television mentioned Wednesday. Aghayan was instrumental in effective the Academy of Television Arts & Sciences to formally recognize the contribution of costume designers. With Mackie, he won the initial ever Emmy for costume design in 1967 for NBC's Alice Using the Searching Glass. He ongoing to earn two more Emmys (among nine total nominations) and received work achievement award within the Costume Designers Guild in 2008. A nearby of Tehran, Iran, Aghayan was nominated for Oscars for Norman Jewison's Gaily, Gaily (1969) with Mackie and Norma Koch for Lady Sings the Blues (1972) starring Ross as Billie Holliday and, again with Mackie, for Funny Lady (1975) starring Streisand. For Funny Lady, Aghayan and Mackie created 40 complete 19 thirties-style clothes -- not only dresses and suits, however the hats, mitts, jewellery and shoes -- for Streisand's Fanny Brice. The boy from the society couturier in Tehran, Aghayan at 14 designed the mourning clothes for your wife in the Shah of Iran, Full Fawzia. three years later, he convinced his mother allowing him to maneuver by themself to La. After a period creating, pointing and creating costumes for his or her own productions, Aghayan got employment round the mid-19 fifties anthology series Matinee Theater (the live show needed a talent for quick costume changes). That introduced with a stint as costume designer round the short-were living 1963-64 variety series The Judy Garland Show. Aghayan's film resume includes The ability of Love (1965), Our Guy Flint (1966), Dr. Doolittle (1967), Hannie Caulder (1971) with Raquel Welch and three Doris Day films: Don't Disturb (1965), The Glass Bottom Boat (1966) and Caprice (1967). Aghayan designed costumes for such stars asJulie Andrews,Fred Astaire,Jewel Bailey,Lucille Ball,Diahann Carroll,Carol Channing,CydCharisse,Bing Crosby,SammyDavis,Dick Van Dyke,Barbara Eden,Lola Falana,Mitzi Gaynor,Betty Hutton,The Jackson Five,Danny Kaye,Peggy Lee,Shirley MacLaine,Dinah Shoreline andLeslie Uggams. He was nominated for just about any Tony Award in 1970 for Applause, which younger crowd designed on Broadway for Vintage 60 (which opened up up in 1960), The Egg (1962), Out and about (1971) and Channing's Lorelei (1974). In the 1997 interview while using Archive of yank Television, Aghayan was asked for do not know great costume design. The one that "offers the actor the level of smoothness, helps the actor become that each,In . he mentioned. "Also to be capable of profit the audience to look at might know what is it's they're searching at."Furthermore to his target the La Olympics, Aghayan produced Consenting Adult, a landmark 1985 telefilm of a gay boy being launched to his family that was modified within the novel by Laura Z. Hobson. More youthful crowd exceeded twelve Academy Award telecasts from 1968 to 2001. For your MGM Grand Hotel in Las vegas in 1974, Aghayan and Mackie designed the opening forHallelujah Hollywood, a $3 million tribute to classic MGM musicals that placed an incredible 940 costumes. Related Subjects Obituaries

Casting Call: Javier Bardem Is Bonds Theif

First Launched: October 12, 2011 5:08 PM EDT Credit: Getty Images La, Calif. -- Caption Javier Bardem reaches La premiere of Biutiful held at DGA Theater, La, December 14, 2010After warming moviegoers hearts as Jennifer Aniston endearing love in Eat Pray Love, Javier Bardem who won an Oscar for his chilling portrayal from the hitman in 2007s No Country For Old Males will rapidly play in the theif once again. After several days of gossips, the The the spanish language language actor, 42, has confirmed he's been cast since the villain for your approaching 23rd Jason Bourne film, alongside returning Bond stars Difficulties and Judi Dench. I am very excited, Bardem told Christiane Amanpour of joining the famous 007 franchise, within a current Nightline interview. My parents needed me to check out the flicks which i saw these. To experience that's apt to be fun! Beyond the casting confirmation, Bardem, who increased to become parent with a selecting with Vicky Cristina Barcelona co-star Penelope Cruz within the month of the month of january, was unable to show more details about his latest role. They chose me to see this person, however cannot offer you many particulars, he mentioned. The next Bond movie, apparently titled Skyfall, is slated for theatrical release on November 9, 2012. Copyright 2011 by NBC Universal, Corporation. All rights reserved. These elements is probably not launched, broadcast, rewritten or redistributed.

Joey Lawrence Directing an Episode of 'Melissa & Joey' (Exclusive)

David Livingston/Getty Images Joey Lawrence, the star and an executive producer on the ABC Family comedy series, Melissa & Joey, will be directing an episode of the show for the upcoming Season 2. "It will be nice to sink my teeth back into the behind the camera responsibilities," Lawrence tells The Hollywood Reporter. This marks the first time Lawrence will be directing for the series and his first time directing since 1997 on his series Brotherly Love for NBC, which later moved to The WB. "It feels like a natural progression for actors to direct at some point," he says "And I'm pleased that my network is confident in my abilities and is giving me the opportunity." Lawrence begins his directing stint on Oct. 24 on Episode 8 currently titled, "Wherefore Art Thou Lennox." In the episode, his character carries on a long distance flirtation before the exotic beauty suddenly pays him a visit. And Melissa faces off with a veteran member of the city council. Lawrence's co-star and series EP, Melissa Joan Hart, will also direct an episode of the series for next season. While she has directed before, Hart will be the first female to direct on the series. Melissa & Joey was ABC Family's top comedy launch in the key ad-preferred demographics when it was renewed in July. Season 2 is currently in production and will air in 2012. Email: Jethro.Nededog@thr.com; Twitter:@TheRealJethro RELATED Sutton Foster Lands Lead in ABC Family Pilot From 'Gilmore Girls' Creator ABC Family Renews 'Make It Or Break It,' Orders More 'Lying Game' More ABC Family Coverage on THR ABC Family

The brand new the new sony Sells Basketball, Pregnancy Comedies to Fox, ABC

The brand new the new sony Pictures Television has offered some single-camera comedies. Fox has given a script plus penalty order to Wednesday Evening Gamers, a comedy turning across the lives of 5 secondary school basketball teammates who've ongoing to become close pals and basketball pals for their 30s. Rules of Engagement's Mike Sikowitz has signed onto executive produce and pen the project. Furthermore to writing and executive creating Rules, which CBS gone after the plumb publish-Large Bang Theory time slot on Thursdays, Sikowitz's credits include Grounded for Existence and achieving an account editor on Pals. He's repped by ICM and Gendler & Kelly. Furthermore, ABC has bought a script in the new the new sony good Teresa Strasser's book Benefiting from My Baby: A Memoir of childbearing & Having a baby. Julia Franz and Jamie Tarses (Happy Being) will oversee through their Fan Fare shingle alongside Strasser. The project tales Strasser's adventures just like a first-time mother. The first sort host of TLC's Whenever You Lost and co-host in the Adam Carolla Show is repped by Renaissance Management. For Tarses, Benefiting from marks the newest in the string of development projects on her behalf this season. Lacey Rose brought with this report. TV Development

Ne-Yo, Jamie Foxx Kick Off Michael Jackson Tribute

First Published: October 8, 2011 3:57 PM EDT Credit: Getty Images Caption Prince Jackson, Blanket Jackson and Paris Jackson appear onstage at the Michael Forever concert to remember the late Michael Jackson at The Millenium Stadium in Cardiff, Wales, on October 8, 2011CARDIFF, Wales -- Three generations of Michael Jacksons family - with a few notable absentees - joined an eclectic roster of entertainers Saturday to pay tribute to the King of Pop, a celebration of the late stars life overshadowed by the Los Angeles manslaughter trial of his doctor. On a stage shaped like a giant glove, participants performed songs from across Jacksons career - from his childhood with the Jackson 5 through monster solo albums like Thriller and Bad. Participants urged fans to ignore the criticism and planning glitches that marked preparations for the show in Wales, and to revel in the celebration of Jacksons musical legacy. Its not about the controversy, said R&B star Ne-Yo, who kicked off the show with a rendition of Billie Jean, complete with some passable moonwalking. Its not about the trial. Its not about his death. Its about celebrating his life. Its about celebrating his music. The crowd at Cardiffs Millennium Stadium did just that, roaring with approval as Jacksons brothers Marlon, Tito and Jackie - three-fifths of the original Jackson 5 - took the stage to perform Blame It On the Boogie with British boyband JLS. Can you feel his spirit in the house tonight? asked Marlon. Judging by the cheers, the fedora hats and the sequined gloves in the audience, many could. The lineup for the Michael Forever show included Christina Aguilera, Smokey Robinson, Gladys Knight, Leona Lewis, Jennifer Hudson, Cee Lo Green - and, via video, Beyonce. The concert has divided the King of Pops family and followers. The three brothers and sister La Toya were performing, while Michael Jacksons mother Katherine was in the audience and his children Prince, 14, Paris, 13, and 9-year-old Michael Joseph Jr., known as Blanket, briefly took the stage to thank fans for coming. Were very happy to be here on this special night to honor our father, said Paris, who like her older brother smiled and appeared confident, while Blanket stood stoic and shy. While 13 Jackson family members attended - including vocal group 3T, composed of Titos three sons - Michaels brothers Jermaine and Randy and sister Janet have stayed away, saying it is wrong to hold the show at the same time as the manslaughter trial of Dr. Conrad Murray. Before the show, Marlon Jackson said he respected his siblings decision. Each one of us grieves differently, he said. We want to celebrate the positive side of his life, the positive things that he did. Jackson died in June 2009, at age 50, as he was preparing for a string of comeback concerts in London. His last hours are being relived in graphic detail at the trial of Murray, accused of giving Jackson a lethal dose of the anesthetic propofol and other sedatives in the bedroom of his rented mansion on June 25, 2009. Some fans have said its inappropriate to hold the tribute show during the trial, but those who came to Cardiff said it was a fitting antidote to the grim courtroom spectacle. Theres a lot of negativity in that courtroom, said Ronnie Lee, a 32-year-old truck driver from Pembroke, Wales, sporting a Thriller T-shirt. This is a chance to say, Thank you Michael and celebrate the music. Fans from across Europe gathered outside the stadium, where vendors did a brisk trade in King of Pop T-shirts and hats like those once worn by Jackson. Whatever happens in that court, well never get Michael back, said Karin Kiewiet, 40, a local government worker from Emmen, Netherlands. This is a good opportunity for us to begin grieving. The show has suffered teething problems, with producers struggling to line up top-name acts for the tribute, hosted by actor Jamie Foxx and British TV host Fearne Cotton. The Black Eyed Peas pulled out of the lineup this week, citing unavoidable circumstances amid reports the chart-topping band is splitting up. Organizer Chris Hunt said that despite the last-minute loss, fans could expect a very, very spectacular show. Everything weve done has been governed by one criterion - would Michael have done it this way, would he approve, would he like it? said Hunt, chief executive of Global Live Events. Were trying to do something worthy of one of the greatest showmen of modern times. Several fan groups around the world have criticized the event, not just for its timing, but for ticket prices that started at about $100 and for what some regard as an out-of-the-way location in Cardiff, 150 miles (240 kilometers) west of London. Organizers also outraged many fans by inviting the rock band Kiss, whose bassist Gene Simmons told a magazine last year that there was no doubt in my mind that Jackson, who was acquitted of molestation charges in 2005, had abused children. The invitation was hastily rescinded, but many fans remained angry. The fans are not happy that the Jackson estate is not involved, said Wesley Noorhoff, president of a Dutch Michael Jackson fan club. It seemed like they wanted to build a concert soon, to get money. I believe it should wait, not only because of the Murray trial. If you do a tribute to Michael, it has to be the best there is, just like Michael. Hunt insisted the show would be a success. He said more than 40,000 tickets had been sold by Friday, and he was confident of reaching the venues 50,000 capacity. Some of the proceeds will go to the AIDS Project Los Angeles and Princes Trust charities, and a portion will be placed in a trust fund for Jacksons children, though organizers did not give an exact breakdown. Marlon Jackson, 54, said he wanted dissenters to know that Michael would have approved of the show. I want the world to understand that my brother was more than just an entertainer, he said. There was a human side to him as well. (Copyright 2011 by Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed) Copyright 2011 by NBC Universal, Inc. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Report: The Steve Jobs Biopic is Coming

You knew it would happen sooner or later: Late Apple founder Steve Jobs will reportedly be getting getting the big screen biopic treatment, courtesy of Sony. The Social Network studio has acquired feature rights to Walter Isaacson’s as-yet unreleased authorized book Steve Jobs, which culls interviews with Jobs and his close associates and family members and has been fast-tracked to hit shelves October 24. It should be an interesting match, considering Sony’s tech division is a direct Apple competitor; imagine the cross-branding planning meetings! As for the film, fantasy casting is wide open. (Put your hand down, Noah Wyle.) [Deadline]

Mixed Marriage

A 31 Prods. in colaboration with Neil McPherson for that Finborough Theater presentation of the play in a single act by St. John Ervine. Directed by Mike Yates.John Rainey - Daragh O'Malley Mrs. Rainey - Fiona Victory Hugh Rainey - Christopher Brandon Nora Murray - Nora-Jane Nobody Michael O'Hara - Damien Hannaway Tom Rainey - Joel OrmsbyAnyone who thinks problem-based political dramas only showed up within the seventies is going to be shocked by "Mixed Marriage," St. John Ervine's tragedy discovered through the unstintingly enterprising Finborough Theater. Opened in 1911 at Dublin's Abbey Theater and unseen working in london in 90 years, it presents a plea for tolerance among religious sectarian violence and embeds it right into a family drama. Although its analysis is sadly still relevant a hundred years later, its dramaturgy remains immured within it is time. "What religion is she?" This is the question beadily requested by suspicious John Rainey (Daragh O'Malley) of youthful Nora (Nora-Jane Nobody), who's walking by helping cover their his boy Hugh (shiningly idealistic Christopher Brandon). Nora is Catholic, which matches lower very badly with staunchly Protestant Rainey. Hugh has convinced his father, something of the working-class hero, to place his religious sights aside to urge local Protestant and Catholic employees to become listed on together within the struggle from the bosses. However when John finds out that Hugh and Nora are likely to marry, his class analysis is subsumed beneath religious hate with fatal effects. On Richard Kent's group of a properly shabby home, the stars strive to get their roles with increased dimensions than Ervine's serious figures really provide. Fiona Victory is busily maternal, searching askance at her husband's intransigence and wishing for top. And dogged O'Malley gives weight to some guy based on obstinacy who will not budge. It is the more youthful generation, however, who appear best, with Nobody and Brandon holding back around the turned away enthusiasts scenario. The problem facing director Mike Yates is the fact that all of the ideas and intentions from the text are extremely plainly spelt out that audiences stay far further in front of potential plot developments compared to figures. To be able to keep things going, Yates keeps the pace up and runs the initial four-act play in 80 minutes with no break. Yet he still finds time for repose, filling transitions with figures isolated in David Plater's coolly atmospheric light. The play's good intentions are of genuine historic interest, but on the effectiveness of this production, it's unlikely anybody is going to be spearheading a St. John Ervine retrospective in the near future.Models and costumes, Richard Kent lighting, David Plater seem and music, Alex Baranowski production stage manager, Christina Lemon. Opened up, examined March. 6, 2011. Running time: one hour, 20 MIN. Contact David Benedict at benedictdavid@mac.com

Robert Downey Junior. Remaking 'Perry Mason,' Clint Eastwood Returns To Acting

Robert Downey Junior. and Warner Bros. are joining up again, this time around to remake "Perry Mason." The well-known material began out like a novel, then grew to become an invisible show, a TV series, a number of movies and the other TV series. Variety broke this news, and states that Downey will star because the titular defense attorney who is an expert in trial and criminal work. He was most notoriously described by Ramond Burr from 1957 to 1966. Browse the relaxation of present day casting news following the jump! More Stars Flock To "The Silver Textures Playbook" David O. Russell is putting together quite the cast for his new movie, "The Silver Textures Playbook." Deadline is confirming that Julia Stiles originates aboard the project, which Chris Tucker has closed his deal to star within the film. They will be joining Bradley Cooper and Jennifer Lawrence within the cast. Paul Master Counts "Hrs" The Hollywood Reporter has found that Paul Master will star within the publish-Hurricane Katrina thriller "Hrs." The project would be the directorial debut of "The One Thing" film writer Eric Heisserer. It'll tell the storyline of the youthful father's battle to keep his newborn daughter alive in New Orleans as a direct consequence of Hurricane Katrina. Clint Eastwood Revisit Acting After 3 years of retirement, Clint Eastwood has returned for additional. The Hollywood Reporter has found that Eastwood will go back to the giant screen for that baseball drama "Challenge with the bend.Inch This is the very first movie he's behaved in since 2008's "Gran Torino." Javier Bardem To Experience Animated Villain Make room Jason Segel, there is a new actor arranging to voice the villain in "Wretched Me 2." The Hollywood Reporter says that Javier Bardem is within discussions to voice the baddie within the approaching Universal animated film. He'll play a villain named El Macho. This is his first animated role. Aubrey Plaza Joins "Charles Swan" Variety is confirming that Aubrey Plaza is within foretells star in Roman Coppola's film "A Glimpse Within the Mind of Charles Swan III." The film will mirror the existence of Charlie Sheen, and can consume a effective artist whose existence spirals unmanageable after he will get ended in the fame and fortune. Jason Schwartzmann will have the titular character. Plaza will have Marnie, a producer who works at Swan's company. Inform us your ideas on present day Casting Get in touch with your comments ought to section below or on Twitter!

Frank Langella on Acting, Careerism, and Aging

Frank Langella on Acting, Careerism, and Aging By Simi Horwitz October 5, 2011 Photo by Joan Marcus Frank Langella in "Man and Boy" Playing the unscrupulous international financier Gregor Antonescu in a revival of Terence Rattigan's "Man and Boy," Frank Langella vividly evokes a sly figure devoid of morality who revels in his cruel gamesmanship. He is a man obsessed with amassing large sums of money, with no concern for its legality. Beating the odds is part of the thrill. The year is 1934, and Gregor has taken refuge in his estranged son's West Village apartment, where he manipulates and blackmails associates while attempting to elude the authorities. One of the actor's more striking, albeit subtle, moments occurs toward the end of the second act when Gregor's wife demands that he look at her, acknowledging her existence in some way. It's a bone-chilling few seconds as he turns to face herhis expression an unexpected amalgam of genuine curiosity, malevolence, and even a hint of sadness.A Roundabout Theatre Company production running at the American Airlines Theatre on Broadway, "Man and Boy"with its savagely corrupt businessman and its homosexual overtonesis a timely play. And Gregor is the latest in a long list of complex, contradictory, and unappealing characters Langella has tackled during his close to 50-year career: Think "Amadeus" and "The Father" onstage, "Dracula," and most notably, "Frost/Nixon" on stage and screen. "I like monsters; I like mystery men," Langella says in his dressing room before a preview performance. "It's a clich among actors, but it's true: The most rewarding characters are those who are relentlessly without a conscience, those who travel a journey, start as one thing and through the progress of the evening become something else. That's always interesting. The challenges are breath, focus, energy, and the commitment to a certain kind of evil. This man is determined to survive at all costs, even at the cost of his most intimate relationship, which is with his son. He has a trophy wife and an assistant but really lives to make money. He's a sociopath. It's my job to find those moments of vulnerability without breaking the fabric of who he is." Wearing dungarees and sneakers and eating nuts out of his cupped palm, the 6-foot-2, 73-year-old veteran actor is at once casual and patrician, reserved and forthright, steely and amusedwhether he's talking about the loss of dignity in the social arena, the blurred line between what's private and what's public, or industry trends and the art of acting. He points to a series of aphorisms pinned to his dressing room wall, including "Mean It" and "Leap Empty Handed Into the Void." "That's what you should do as an actor," he says. "Learn your lines, know what they mean, mean them when you say them, and then take it where it takes you. I was once told I act in the wilderness and that I have no point of view. I've come to trust that something will emerge from the wilderness. I like going in every which way during rehearsal. I usually work from the inside out, but sometimes it's the other way around. I may rehearse at top energy or top speed, and then the next day I'll play it low-key. It's all a big cauldron. I throw everything in, see what works, and then do less and less. It starts as a minestrone and then becomes a simple broth. A food analogy," he chortles, cupping more nuts into his mouth. Whatever Langella's method, it's working, asserts "Man and Boy" director Maria Aitken. "He arrives with energy, stagecraft, and presence," she says. "And to this role in particular he brings authority, a diabolical charm, and a willingness to explore his dark side." Adam Driver, who plays Langella's tormented and beleaguered son, notes, "One of his many great qualities onstage is his fearlessness to forget. He walks on and is absolutely fearless with rediscovery, even if that means sacrificing moments he knows are 'working.' " Bad Behavior Born and raised in Bayonne, N.J."and proud of it," he saysLangella began his journey of self-reinvention at an early age. Knowing he wanted to act and determined to lose all regional and ethnic traces in his speech, he assiduously listened to the records of John Gielgud, incorporating as much of the actor's vocal style into his own as possible. Indeed, years later he told Gielgud about his self-improving activities as a youngster; the legendary actor assured him he had succeeded in freeing himself of any Italian-American, New Jersey accent. " 'You're well over it, dear boy,' " Langella mimics. After graduating from Syracuse University, where he majored in drama, Langella ventured into the professional world, where a major challenge was learning how to be more collaborative and cooperative. He admits he was "obstreperous, arrogant, and stubborn." He adds, "Just because I might have been right about something doesn't mean I shouldn't have been more careful. I stopped that in my 50s. No, I don't think that was late. The fact that I stopped at all is remarkable. A lot of actors carry their worst habits to their graves." Nonetheless, Langella says belief in oneself is the key to a successful career, and indeed, self-destructive behavior comes from a lack of belief in oneself. Equally important, an actor needs to believe in the project and truly want to be a part of it. As Langella tells it, back in the day when he auditioned, if he wasn't drawn to the role or script, his audition reflected his lack of enthusiasm. The most successful auditions were for roles he especially wanted, such as the scheming chief of staff in the comedy "Dave," which he says was a major career boost. Langella made his Broadway debut in "Yerma" in 1966 and was cast in his first film, Mel Brooks' wild "The Twelve Chairs," in 1970.Despite the auspicious beginning, his career has been defined by many ups and downs and dry periods when he had neither work nor representation. But he never toyed with the idea of doing something else nor even questioned his talent. "When I had difficulty getting work or representation, I told myself it was not a reflection of my ability, but rather a reflection of my demeanor or manner, or it was luck of the draw. I never felt, 'Now I'll go do trash.' My motto is 'Never give up, never give in, if the dream is still strong in you.' If the need to act is so strong it wakes you in the middle of the night, then stay with it." He adds, "If you think you'd kind of like to be an actor because it'll get you laid, or you'd kind of like to be an actor because it'll make you famous, or you'd kind of like to be an actor because it'll make you lots of money and you won't have to work much, then you shouldn't be an actor. You should be a commercial commodity." 'A Distinguished Actor' Langella is aware that most actors don't have the option of being a "commercial commodity." Even he is not getting as many commercial offers as he once was, not that commercial success was ever his ambition. "I've been burdened and stuck with being a 'distinguished' actor," he says with just a hint of irony. "I've never been commercially minded. I like to do what I like to do, and my career has been slow, steady, and long." Though he has appeared in a number of big-budget movies, including "Wall Street: Money Never Sleeps," he is most identified with classical revivals and is not afraid to take on roles identified with major actorssuch as Bela Lugosi in "Dracula" and Paul Scofield in "A Man for All Seasons." Langella also enjoys working in indie films. Among his favorites: "Good Night, and Good Luck," and especially "Starting Out in the Evening," a haunting and unlikely love story in which he plays an aging and nearly forgotten novelist. That said, Langella has appeared in his share of moneymaking projects that were dull and for which he was overqualified. But at the time he had alimony payments and children in private schools, he recalls. Now that he is no longer encumbered in that way, his choices are based on personal aesthetics and instinct. "Frost/Nixon," which started its illustrious journey as a "little play in England," is a perfect example, he says. At the time, he had also been offered the chance to appear in a half-hour series and a pilot for an hourlong series. For Langella the choice was a no-brainer: The "little play" was of far greater interest. Even before "Frost/Nixon" came to his attention, he says, the prospect of sitting in a trailer in Burbank for five years was totally unappealing. He turned down the 30-minute series, and though he agreed to do the pilot for the 60-minute series, he would commit himself no further. The pilot he appeared in was not picked up; the 30-minute sitcom turned into a big hit. Still, he has no regrets. "Frost/Nixon" was one of the greatest stage and film successes of his career. "It's what I say to young actors: 'Hunt quality. It's getting harder to find, but you'll stick around if your name is associated with quality.' So whenever I'm at a juncture, I'm more likely to do that rather than take a role in a film or TV series playing the CEO of some company supporting one of the comedy stars of 'SNL.' 'Let's get that older distinguished guy. He can be behind the desk.' I'm offered a lot of those parts. They're boring, they pay a lot of money, and I turn them down. Not out of any nobility, but this"gesturing around his theater dressing room"is where I get my kicks." Career Strategies are 'Utter Nonsense' Like many actors, Langella acknowledges it's much harder to launch an acting career today than it was when he was starting out in the 1960s, difficult and competitive as it was even then. First, the number of actors attempting to enter the field has grown exponentially, and getting seen is that much more difficult and complex. Gone are the days of pounding the pavement and knocking on producers' doors. Yet Langella feels the strategies young actors use todayfrom hiring managers and publicists to promoting themselves on Facebookare unnecessary. Langella has only one agent and on occasion retains the services of an attorney if he's grappling with a complicated contract. But he does not have a manager, press agent, or stylist. Equally foreign to him is the whole world of networking and social media. Careers are not forged by "making contacts or being at the right place at the right time," he points out. "They want you or they don't. Yes, I know actors who have slept with a casting director or director and gotten a role as a result. But that's not what leads to a sustaining career." He reiterates the importance of belief in yourself and the public's belief in what you have to offer in the theater. "It's my job to transform an evening for 800 people and make an audience forget their day. It's not rocket science, and it's not a cure for cancer, but if I can do that for two and a half hoursthen all the stuff about making contacts is utter nonsense." It's not only actors new on the scene who agonize over career strategies, image boosting, and the right self-positioning. These misguided notions exist throughout the industry, regardless of the actor's age or status, Langella says. He describes visiting actors in Beverly Hills who live in gated communities where one must buzz even to get on the grounds. "These are people locked inside velvet cages, and it's sad," he comments. "And then you have those dinner conversations where they talk about how someone wasn't willing to pay their price, so they decided to pass. They are stretched and pulled and dyed and holding on like crazy to something that is long past. I feel doors should be open metaphorically and literally to whatever is right for you at the moment. I'm not going to fix myself to look like 63. Why would I want to? I would have to compete with 60-year-old actors. There are fewer actors my age." He feels it's no accident he has gotten the best roles of his life over the last 10 years. He cites with pleasure the film "Robot and Frank," to be released in 2012, in which he plays an aging and difficult dad whose adult kids install a robot in his home as his caretaker. And at the moment, he's having a fine time playing Gregor, contemplating the man's twisted psyche and the consequences he faces for his actions. "Whatever your toy of choice, know that one day the battery will run out," Langella says. "We all pay on some level for whatever choices we made. Toward the end of life, people tend to feel they made the wrong choices, but they probably made the right choice at the time." Asked how he would redo his career if that were possible, Langella pauses. "I wish I had said 'yes' more often. I was self-protective and fairly precious. On the other hand, I landed okay.""Man and Boy" continues at the American Airlines Theatre, 227 W. 42nd St., N.Y., through Nov. 27. (212) 719-1300. www.roundabouttheatre.org. Outtakes - Appeared in such Broadway productions as "Fortune's Fool," "Present Laughter," "Hurlyburly," "Seascape," and "Design for Living"- Film appearances include "Diary of a Mad Housewife," "Those Lips, Those Eyes," "Lolita," and "Superman Returns"- Received three Tony Awards, three Obie Awards, and three Outer Critics Circle Awards, as well as Golden Globe, Emmy, and Olivier nominations- His memoir "Dropped Names: Famous Men and Women as I Knew Them" will be published by HarperCollins in March 2012. Frank Langella on Acting, Careerism, and Aging By Simi Horwitz October 5, 2011 Frank Langella in "Man and Boy" PHOTO CREDIT Joan Marcus Playing the unscrupulous international financier Gregor Antonescu in a revival of Terence Rattigan's "Man and Boy," Frank Langella vividly evokes a sly figure devoid of morality who revels in his cruel gamesmanship. He is a man obsessed with amassing large sums of money, with no concern for its legality. Beating the odds is part of the thrill. The year is 1934, and Gregor has taken refuge in his estranged son's West Village apartment, where he manipulates and blackmails associates while attempting to elude the authorities. One of the actor's more striking, albeit subtle, moments occurs toward the end of the second act when Gregor's wife demands that he look at her, acknowledging her existence in some way. It's a bone-chilling few seconds as he turns to face herhis expression an unexpected amalgam of genuine curiosity, malevolence, and even a hint of sadness.A Roundabout Theatre Company production running at the American Airlines Theatre on Broadway, "Man and Boy"with its savagely corrupt businessman and its homosexual overtonesis a timely play. And Gregor is the latest in a long list of complex, contradictory, and unappealing characters Langella has tackled during his close to 50-year career: Think "Amadeus" and "The Father" onstage, "Dracula," and most notably, "Frost/Nixon" on stage and screen. "I like monsters; I like mystery men," Langella says in his dressing room before a preview performance. "It's a clich among actors, but it's true: The most rewarding characters are those who are relentlessly without a conscience, those who travel a journey, start as one thing and through the progress of the evening become something else. That's always interesting. The challenges are breath, focus, energy, and the commitment to a certain kind of evil. This man is determined to survive at all costs, even at the cost of his most intimate relationship, which is with his son. He has a trophy wife and an assistant but really lives to make money. He's a sociopath. It's my job to find those moments of vulnerability without breaking the fabric of who he is." Wearing dungarees and sneakers and eating nuts out of his cupped palm, the 6-foot-2, 73-year-old veteran actor is at once casual and patrician, reserved and forthright, steely and amusedwhether he's talking about the loss of dignity in the social arena, the blurred line between what's private and what's public, or industry trends and the art of acting. He points to a series of aphorisms pinned to his dressing room wall, including "Mean It" and "Leap Empty Handed Into the Void." "That's what you should do as an actor," he says. "Learn your lines, know what they mean, mean them when you say them, and then take it where it takes you. I was once told I act in the wilderness and that I have no point of view. I've come to trust that something will emerge from the wilderness. I like going in every which way during rehearsal. I usually work from the inside out, but sometimes it's the other way around. I may rehearse at top energy or top speed, and then the next day I'll play it low-key. It's all a big cauldron. I throw everything in, see what works, and then do less and less. It starts as a minestrone and then becomes a simple broth. A food analogy," he chortles, cupping more nuts into his mouth. Whatever Langella's method, it's working, asserts "Man and Boy" director Maria Aitken. "He arrives with energy, stagecraft, and presence," she says. "And to this role in particular he brings authority, a diabolical charm, and a willingness to explore his dark side." Adam Driver, who plays Langella's tormented and beleaguered son, notes, "One of his many great qualities onstage is his fearlessness to forget. He walks on and is absolutely fearless with rediscovery, even if that means sacrificing moments he knows are 'working.' " Bad Behavior Born and raised in Bayonne, N.J."and proud of it," he saysLangella began his journey of self-reinvention at an early age. Knowing he wanted to act and determined to lose all regional and ethnic traces in his speech, he assiduously listened to the records of John Gielgud, incorporating as much of the actor's vocal style into his own as possible. Indeed, years later he told Gielgud about his self-improving activities as a youngster; the legendary actor assured him he had succeeded in freeing himself of any Italian-American, New Jersey accent. " 'You're well over it, dear boy,' " Langella mimics. After graduating from Syracuse University, where he majored in drama, Langella ventured into the professional world, where a major challenge was learning how to be more collaborative and cooperative. He admits he was "obstreperous, arrogant, and stubborn." He adds, "Just because I might have been right about something doesn't mean I shouldn't have been more careful. I stopped that in my 50s. No, I don't think that was late. The fact that I stopped at all is remarkable. A lot of actors carry their worst habits to their graves." Nonetheless, Langella says belief in oneself is the key to a successful career, and indeed, self-destructive behavior comes from a lack of belief in oneself. Equally important, an actor needs to believe in the project and truly want to be a part of it. As Langella tells it, back in the day when he auditioned, if he wasn't drawn to the role or script, his audition reflected his lack of enthusiasm. The most successful auditions were for roles he especially wanted, such as the scheming chief of staff in the comedy "Dave," which he says was a major career boost. Langella made his Broadway debut in "Yerma" in 1966 and was cast in his first film, Mel Brooks' wild "The Twelve Chairs," in 1970.Despite the auspicious beginning, his career has been defined by many ups and downs and dry periods when he had neither work nor representation. But he never toyed with the idea of doing something else nor even questioned his talent. "When I had difficulty getting work or representation, I told myself it was not a reflection of my ability, but rather a reflection of my demeanor or manner, or it was luck of the draw. I never felt, 'Now I'll go do trash.' My motto is 'Never give up, never give in, if the dream is still strong in you.' If the need to act is so strong it wakes you in the middle of the night, then stay with it." He adds, "If you think you'd kind of like to be an actor because it'll get you laid, or you'd kind of like to be an actor because it'll make you famous, or you'd kind of like to be an actor because it'll make you lots of money and you won't have to work much, then you shouldn't be an actor. You should be a commercial commodity." 'A Distinguished Actor' Langella is aware that most actors don't have the option of being a "commercial commodity." Even he is not getting as many commercial offers as he once was, not that commercial success was ever his ambition. "I've been burdened and stuck with being a 'distinguished' actor," he says with just a hint of irony. "I've never been commercially minded. I like to do what I like to do, and my career has been slow, steady, and long." Though he has appeared in a number of big-budget movies, including "Wall Street: Money Never Sleeps," he is most identified with classical revivals and is not afraid to take on roles identified with major actorssuch as Bela Lugosi in "Dracula" and Paul Scofield in "A Man for All Seasons." Langella also enjoys working in indie films. Among his favorites: "Good Night, and Good Luck," and especially "Starting Out in the Evening," a haunting and unlikely love story in which he plays an aging and nearly forgotten novelist. That said, Langella has appeared in his share of moneymaking projects that were dull and for which he was overqualified. But at the time he had alimony payments and children in private schools, he recalls. Now that he is no longer encumbered in that way, his choices are based on personal aesthetics and instinct. "Frost/Nixon," which started its illustrious journey as a "little play in England," is a perfect example, he says. At the time, he had also been offered the chance to appear in a half-hour series and a pilot for an hourlong series. For Langella the choice was a no-brainer: The "little play" was of far greater interest. Even before "Frost/Nixon" came to his attention, he says, the prospect of sitting in a trailer in Burbank for five years was totally unappealing. He turned down the 30-minute series, and though he agreed to do the pilot for the 60-minute series, he would commit himself no further. The pilot he appeared in was not picked up; the 30-minute sitcom turned into a big hit. Still, he has no regrets. "Frost/Nixon" was one of the greatest stage and film successes of his career. "It's what I say to young actors: 'Hunt quality. It's getting harder to find, but you'll stick around if your name is associated with quality.' So whenever I'm at a juncture, I'm more likely to do that rather than take a role in a film or TV series playing the CEO of some company supporting one of the comedy stars of 'SNL.' 'Let's get that older distinguished guy. He can be behind the desk.' I'm offered a lot of those parts. They're boring, they pay a lot of money, and I turn them down. Not out of any nobility, but this"gesturing around his theater dressing room"is where I get my kicks." Career Strategies are 'Utter Nonsense' Like many actors, Langella acknowledges it's much harder to launch an acting career today than it was when he was starting out in the 1960s, difficult and competitive as it was even then. First, the number of actors attempting to enter the field has grown exponentially, and getting seen is that much more difficult and complex. Gone are the days of pounding the pavement and knocking on producers' doors. Yet Langella feels the strategies young actors use todayfrom hiring managers and publicists to promoting themselves on Facebookare unnecessary. Langella has only one agent and on occasion retains the services of an attorney if he's grappling with a complicated contract. But he does not have a manager, press agent, or stylist. Equally foreign to him is the whole world of networking and social media. Careers are not forged by "making contacts or being at the right place at the right time," he points out. "They want you or they don't. Yes, I know actors who have slept with a casting director or director and gotten a role as a result. But that's not what leads to a sustaining career." He reiterates the importance of belief in yourself and the public's belief in what you have to offer in the theater. "It's my job to transform an evening for 800 people and make an audience forget their day. It's not rocket science, and it's not a cure for cancer, but if I can do that for two and a half hoursthen all the stuff about making contacts is utter nonsense." It's not only actors new on the scene who agonize over career strategies, image boosting, and the right self-positioning. These misguided notions exist throughout the industry, regardless of the actor's age or status, Langella says. He describes visiting actors in Beverly Hills who live in gated communities where one must buzz even to get on the grounds. "These are people locked inside velvet cages, and it's sad," he comments. "And then you have those dinner conversations where they talk about how someone wasn't willing to pay their price, so they decided to pass. They are stretched and pulled and dyed and holding on like crazy to something that is long past. I feel doors should be open metaphorically and literally to whatever is right for you at the moment. I'm not going to fix myself to look like 63. Why would I want to? I would have to compete with 60-year-old actors. There are fewer actors my age." He feels it's no accident he has gotten the best roles of his life over the last 10 years. He cites with pleasure the film "Robot and Frank," to be released in 2012, in which he plays an aging and difficult dad whose adult kids install a robot in his home as his caretaker. And at the moment, he's having a fine time playing Gregor, contemplating the man's twisted psyche and the consequences he faces for his actions. "Whatever your toy of choice, know that one day the battery will run out," Langella says. "We all pay on some level for whatever choices we made. Toward the end of life, people tend to feel they made the wrong choices, but they probably made the right choice at the time." Asked how he would redo his career if that were possible, Langella pauses. "I wish I had said 'yes' more often. I was self-protective and fairly precious. On the other hand, I landed okay.""Man and Boy" continues at the American Airlines Theatre, 227 W. 42nd St., N.Y., through Nov. 27. (212) 719-1300. www.roundabouttheatre.org. Outtakes - Appeared in such Broadway productions as "Fortune's Fool," "Present Laughter," "Hurlyburly," "Seascape," and "Design for Living"- Film appearances include "Diary of a Mad Housewife," "Those Lips, Those Eyes," "Lolita," and "Superman Returns"- Received three Tony Awards, three Obie Awards, and three Outer Critics Circle Awards, as well as Golden Globe, Emmy, and Olivier nominations- His memoir "Dropped Names: Famous Men and Women as I Knew Them" will be published by HarperCollins in March 2012.

Rose McGowan to star in 'Napa'

McGowan "The Pastor's Wife" star Rose McGowan will topline new romantic thriller "Napa" from writer and producer Michael Kerr.Pic marks the directorial debut for Kerr, who is financing the production through his self-named shingle.Co-written by Hans Ostrom based on his novel "Three to Get Ready," the story centers around Scarlett Harding (McGowan) who gets a job as Sheriff in her hometown of Napa after returning from three military tours of Afghanistan.Exec producer Ellen Wander will handle worldwide distribution and sales for Napa through Film Bridge International."Lackawanna Blues" producer Nellie Nugiel will produce along with Kerr.McGowan recently completed "Wife" where she portrayed Mary Winkler, the real-life preacher's wife who murdered her husband in 2006. Contact Rachel Abrams at Rachel.Abrams@variety.com

Watch Movies Online For Free